It’s hard to go into a room like this with realistic expectations, but Magnifico wasn’t exactly what I thought it would be. Yes, the set was massive and delightful. The theming was movie-set quality and the atmosphere was immersive. There was great tech, and there were cool effects and wow moments. The performances of the three actors in multiple roles were brilliant, and the puzzles were interactive, varied, and easily Escaparium’s best.
And yet, it didn’t blow my mind with over-the-top set pieces and spectacles in the way that Ctrl Alt Reboot and The Forgotten Cathedral had. Rather, Magnifico crept up on me, gradually pulling me under its spell with every new space, character interaction, and diegetic puzzle. Looking back, there was no wastage — every part of the experience mattered. It was an epic 2.5 hour journey, but surprisingly, I didn’t want it to end. To be honest, I might still prefer spectacle, but this was the first time story truly meant something to me in an escape room.
A lot of top escape rooms are like big-budget blockbusters or scarring horror movies. Magnifico is the award-winning drama that resonates because it touches hearts. As such, it won’t be everyone’s favourite, but the more I think about it (and I’ve been thinking about it A LOT), the more I love it.